{"id":12818,"date":"2021-05-14T09:00:55","date_gmt":"2021-05-14T07:00:55","guid":{"rendered":"https:\/\/www.lekolin.org\/?p=12818"},"modified":"2021-05-14T09:00:56","modified_gmt":"2021-05-14T07:00:56","slug":"medya-ulkesinin-asi-prensesi-medeia","status":"publish","type":"post","link":"https:\/\/www.lekolin.org\/ku\/medya-ulkesinin-asi-prensesi-medeia\/","title":{"rendered":"Medya \u00dclkesinin Asi Prensesi Medeia"},"content":{"rendered":"\n

Kadim K\u00fclt\u00fcr\u00fcn Ya\u015fat\u0131c\u0131s\u0131 ve Savunma Sava\u015f\u00e7\u0131s\u0131<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/p>\n\n\n\n

         Medya topraklar\u0131 tarihin en eski k\u00fclt\u00fcr miras\u0131na sahiptir. En uzun ve ger\u00e7e\u011fe en yak\u0131n inan\u00e7 sistemleri, ya\u015fay\u0131\u015f bi\u00e7imlerini nitelikli bir hazineye d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr. Evrende ya\u015fad\u0131\u011f\u0131m\u0131z g\u00fcne\u015f sistemini belirleyen temel elementleri kutsal saym\u0131\u015f ve ya\u015famlar\u0131n\u0131 bu elementlerin niteli\u011fi, yarat\u0131c\u0131 \u00f6zeli\u011fiyle ve birbirleriyle olan ba\u011f\u0131n\u0131 \u00e7\u00f6z\u00fcp anlamland\u0131r\u0131p ona benzeterek ya\u015famlar\u0131n\u0131 kurgulam\u0131\u015flard\u0131r. \u0130\u00e7inde ya\u015fad\u0131klar\u0131 d\u00fcnyan\u0131n etraflar\u0131ndaki varl\u0131klar\u0131 \u00e7\u00f6z\u00fcp anlamland\u0131r\u0131p g\u00f6r\u00fcnenin \u00f6tesindekinin rol\u00fcn\u00fc de fark etmi\u015flerdir. D\u00fcnyadan ne kadar uzakta da olsa evrendeki maddi varl\u0131klar\u0131n rol\u00fcn\u00fc ve manevi bir ba\u011f\u0131n oldu\u011fu adeta her \u015feyin birbirleriyle kopmaz ba\u011f oldu\u011funu bilip ke\u015ffetmi\u015fler. Bu zihniyet devrimi diyebilece\u011fimiz geli\u015fme bug\u00fcn\u00fcn kuantum teorisini \u00e7a\u011fr\u0131\u015ft\u0131r\u0131yor \u00e2dete.  G\u00fcn\u00fcm\u00fczde kuantum mekani\u011fin teorisini \u00e7\u00f6z\u00fcp geli\u015ftirerek canl\u0131lar\u0131n birbirleriyle olan ili\u015fki tarz\u0131n\u0131, olu\u015fumun temel diyalekti\u011fine bak\u0131l\u0131p maddi ve manevi d\u00fcnyam\u0131z\u0131 zenginle\u015ftirmeye, nitelikle\u015ftirmeye \u00e7al\u0131\u015f\u0131ld\u0131\u011f\u0131 gibi o d\u00f6nemde de buna benzer aray\u0131\u015f olarak bakmak gerekiyor. G\u00fc\u00e7l\u00fc anlamland\u0131rma aray\u0131\u015flar\u0131 \u00f6zg\u00fcr toplumu in\u015fa etme g\u00f6zlemlenmektedir. D\u00fcnyan\u0131n merkezine g\u00fcne\u015fi koyma gibi inan\u00e7 sistemlerine bak\u0131ld\u0131\u011f\u0131nda net g\u00f6r\u00fcl\u00fcyor. G\u00f6ky\u00fcz\u00fcndeki 3 element olarak bak\u0131lan g\u00fcne\u015f\u0131n yan\u0131 s\u0131ra ay ve y\u0131ld\u0131z,  yery\u00fcz\u00fcnde ise su, toprak, hava ve ate\u015f tanr\u0131\u00e7as\u0131 gibi (ki sonraki evrelerde tanr\u0131\u00e7a yerini tanr\u0131lar al\u0131yor) en g\u00fc\u00e7l\u00fc tanr\u0131\u00e7alard\u0131r. Uzun s\u00fcre ya\u015famlar\u0131n\u0131 bu ya\u015fam\u0131n kaynaklar\u0131na benzetilerek \u00f6rg\u00fctlemi\u015fler.  Aryenlerin en eski tanr\u0131\u00e7alar\u0131ndan olan Mithra, (g\u00fcne\u015f tanr\u0131\u00e7as\u0131) yery\u00fcz\u00fcnde en uzun s\u00fcre tap\u0131lan tanr\u0131\u00e7alardand\u0131r. Zerd\u00fc\u015ft\u2019in kitab\u0131 Zend Avesta\u2019da Mithra\u2019ya adanm\u0131\u015f \u00e7ok uzun bir Ya\u015ft yer al\u0131r.  Mithra \u2019n\u0131n s\u0131fatlar\u0131 \u015f\u00f6yle s\u0131ralan\u0131yor; G\u00fcne\u015f tanr\u0131\u00e7as\u0131d\u0131r, kabileler ve topluluklar aras\u0131ndaki s\u00f6zle\u015fmeleri korur ve bu s\u00f6zle\u015fmeleri bozmaya \u00e7al\u0131\u015fanlar\u0131 cezaland\u0131r\u0131r, ya\u015fam verir, sava\u015f\u00e7\u0131d\u0131r, iyi anlam\u0131 ifade eder, arkada\u015f, bar\u0131\u015f\u0131n koruyucusudur. Her \u015feyi g\u00f6ren; ger\u00e7e\u011fin, s\u0131\u011f\u0131rlar\u0131n, hasad\u0131n ve suyun koruyucusu olarak bak\u0131l\u0131r.<\/p>\n\n\n\n

        Medyal\u0131 halklar ya\u015fam felsefesini do\u011fal toplumunun in\u015fas\u0131n\u0131 a\u011f\u0131rl\u0131kta ate\u015fin kutsall\u0131\u011f\u0131 \u00fczerine kurgulanm\u0131\u015f ve inanm\u0131\u015flard\u0131r. En eski \u00e7a\u011flardan beri ate\u015fin, \u0131s\u0131n\u0131n, g\u00fcne\u015fin ya\u015fam\u0131n temel kayna\u011f\u0131 oldu\u011fu bilmi\u015flerdir. G\u00fcne\u015fin hayata ve t\u00fcm canl\u0131lara ruh veren \u00f6zelli\u011fi bug\u00fcn bile kabul edilen bir ger\u00e7ektir. Ki g\u00fcn\u00fcm\u00fczde yeterince g\u00fcne\u015fin enerjisini alamayan \u00fclkeler yapay g\u00fcne\u015f bile yapmaya kalk\u0131\u015fm\u0131\u015flard\u0131r. En eski medyal\u0131 yani aryen halklar\u0131 do\u011fan\u0131n, ya\u015fam\u0131n ve t\u00fcm canl\u0131lar\u0131n g\u00fcne\u015fin rol\u00fcn\u00fc g\u00fcne\u015f tanr\u0131\u00e7as\u0131 ile \u00f6zde\u015fle\u015ftirip ya\u015famlar\u0131n\u0131 bu felsefe \u00fczerinde \u00f6rg\u00fctlemi\u015flerdir. Yani g\u00fcne\u015f ya\u015fam\u0131n ve t\u00fcm canl\u0131lar\u0131n temel yarat\u0131c\u0131 g\u00fcc\u00fc oldu\u011fu ve ya\u015fat\u0131c\u0131 g\u00fcc\u00fc niteli\u011fine sahip oldu\u011funu bilmi\u015flerdir. Bu da soyut bir tanr\u0131 de\u011fil, somut, canl\u0131, yarat\u0131c\u0131, ya\u015fat\u0131c\u0131 ve canl\u0131lardaki rol\u00fcn\u00fc g\u00f6rerek inanm\u0131\u015flard\u0131r. G\u00fcne\u015fe bin y\u0131llarca ve hatta g\u00fcn\u00fcm\u00fczde bile K\u00fcrt Ezidi halk\u0131n t\u00fcm katliamlara ra\u011fmen bu inanc\u0131ndan asla vazge\u00e7memi\u015flerdir.  <\/p>\n\n\n\n

      G\u00fcne\u015f sistemin ya\u015famdaki rol\u00fcn\u00fcn \u00f6z\u00fcn\u00fc, asl\u0131nda kad\u0131n\u0131n \u00f6z\u00fcne benzetilerek toplumsall\u0131\u011f\u0131, birliktenli\u011fi, do\u011fayla insan aras\u0131ndaki ili\u015fkiyi g\u00fcne\u015f tanr\u0131\u00e7as\u0131 etraf\u0131nda geli\u015ftirilmi\u015f denilebilinir. Bu kurgu ve benzetmeyle ger\u00e7ekle\u015ftirilen zihniyet devrimi arkada\u015fl\u0131\u011f\u0131, iyiyi, sevgiyi, do\u011fruyu, toplumsal s\u00f6zle\u015fmeyi, do\u011fayla verimli \u00fcr\u00fcn\u00fc yaratmay\u0131 ve en \u00f6nemlisi de u\u011fruna sava\u015fmay\u0131 ve \u00f6l\u00fcm\u00fcne savunmay\u0131 geli\u015ftirmi\u015flerdir. \u00c2dete toplumsal s\u00f6zle\u015fmelerini birey ve toplum, birey ve do\u011fa aras\u0131nda ili\u015fkiyi g\u00fcne\u015f sistemli diyalekti\u011fi \u00e7\u00f6zerek rol ve misyonlar\u0131n\u0131 ona g\u00f6re in\u015fa etmi\u015flerdir. Bu zihniyet devrimi inan\u0131lmaz bir geli\u015fmeyi sa\u011flam\u0131\u015ft\u0131r beraberinde. Kad\u0131n\u0131n do\u011fas\u0131ndaki do\u011fayla olan kopmaz ba\u011f\u0131 her \u015feyin canl\u0131 olma inanc\u0131 koruyup geli\u015ftirmesini sa\u011flam\u0131\u015ft\u0131r.  Kad\u0131ndaki bu ya\u015fatma, koruma bilinci ve hatta g\u00fcd\u00fcsel refleksi her taraf\u0131n cennette d\u00f6n\u00fc\u015fmesini sa\u011flam\u0131\u015ft\u0131r. Kabileler aras\u0131nda toplumsal birli\u011fin ve beraberli\u011fin ortaya \u00e7\u0131kard\u0131\u011f\u0131 g\u00fc\u00e7 a\u015f\u0131lmaz bir k\u00fclt\u00fcr hazinesine d\u00f6n\u00fc\u015f\u00fcr. Bu k\u00fclt\u00fcr hazine miras\u0131na \u00e7evredeki t\u00fcm \u00fclkeler hatta en uzak olan diyarlar\u0131n istilas\u0131na u\u011fram\u0131\u015f ve ac\u0131mas\u0131z istilalara tan\u0131k olmu\u015ftur. Bu istilalar\u0131n temel nedeni kendi ya\u015fam\u0131n\u0131 \u00f6rg\u00fctleyemeyenlerdir. Ve bu istilalar g\u00fcn\u00fcm\u00fczde oldu\u011fu gibi yalanlarla, d\u00fczenbazl\u0131kla, hilelerle ve namert\u00e7e ancak ba\u015far\u0131 elde edilmi\u015ftir.<\/p>\n\n\n\n

    Medya topraklar\u0131 bug\u00fcn a\u011f\u0131rl\u0131kta K\u00fcrdistan ve k\u0131smen \u00e7evre \u00fclkelerini kapsayan topraklard\u0131r. Tarihten g\u00fcn\u00fcm\u00fcze kadar bu inan\u00e7 etraf\u0131n da yarat\u0131lan zenginlik g\u00f6z kama\u015ft\u0131rm\u0131\u015ft\u0131r. Bu kutsal diyar olan medya t\u00fcm kutsal kitaplarda bile cennetle tasfir edilmi\u015ftir. Ya\u015fam\u0131n ba\u015flama kayna\u011f\u0131, e\u015fitli\u011fin, farkl\u0131l\u0131\u011f\u0131n birliktenli\u011fi, do\u011fayla bar\u0131\u015f\u0131kl\u0131\u011f\u0131 ve t\u00fcm canl\u0131lara sayg\u0131l\u0131 olma medyal\u0131 halklar\u0131n da g\u00f6r\u00fclmektedir. Tanr\u0131\u00e7a k\u00fclt\u00fcr\u00fc t\u00fcm k\u00fclt\u00fcrlerden en uzun \u00f6m\u00fcrl\u00fc olma vasf\u0131na sahiptir bu topraklar. Halende bu k\u00fclt\u00fcr\u00fcn k\u0131r\u0131nt\u0131lar\u0131 ya\u015fam\u0131m\u0131zda yer ediniyor, hayallerimiz onunla zenginle\u015fiyor, onunla anlaml\u0131 direni\u015fler sergileniyor. Tarihten g\u00fcn\u00fcm\u00fcze kadar demokratik uygarl\u0131k direni\u015fleri bu zengin diyar\u0131n tanr\u0131\u00e7a k\u00fclt\u00fcr\u00fcn\u00fcn ruhuyla hep beslenmi\u015ftir. Onunla kimli\u011finin \u00f6z\u00fcn\u00fc bulabilmi\u015f ve onunla varl\u0131\u011f\u0131n\u0131 olu\u015fturabilmi\u015ftir ve olu\u015fturmaya da devam ediliyor.<\/p>\n\n\n\n

    Medyal\u0131 Medeia antik d\u00fcnyan\u0131n en b\u00fcy\u00fck b\u00fcy\u00fcc\u00fclerinden, ila\u00e7 ve zehir yap\u0131m ustas\u0131d\u0131r diye bilinir. Ac\u0131 \u00e7i\u011fdem yani K\u00fcrt\u00e7e de Pivok un bir \u00e7e\u015fidi olarak bilinen ve sadece Kuzey K\u00fcrdistan  (kuzey medya) da bulunan bu \u00e7i\u00e7e\u011fin \u00f6zelli\u011fiyle sembolize edilir.  Efsaneye g\u00f6re Medeia yunan kral\u0131 Yason’u korumak i\u00e7in yapt\u0131\u011f\u0131 ila\u00e7ta bu bitkiyi kullanm\u0131\u015ft\u0131r. Bu \u00e7i\u00e7e\u011fin \u00f6zellikleri ise zarif, g\u00fczel ve iyile\u015ftirici olmas\u0131n\u0131n yan\u0131nda son derece zehirli olan \u00e7i\u00e7ek bu tabiat\u0131ndan dolay\u0131 Medeia\u2019 n\u0131n sembol\u00fc olarak kabul edilir.  Medeia n\u0131n karakteristik \u00f6zelli\u011fi ise \u00f6fkelendi\u011finde korkutucu bir ki\u015fili\u011fe b\u00fcr\u00fcnmesidir. Bu da \u00e7i\u00e7e\u011fin \u00f6zelli\u011fi olan zehirli yan\u0131 ile yani g\u00fcne\u015f soyundan gelen g\u00fcne\u015f tanr\u0131\u00e7as\u0131n\u0131n ya\u015fam felsefesinin \u00f6zelli\u011fi olan s\u00f6zle\u015fmelere ve de\u011ferlere zarar verene cezaland\u0131ran Medeia n\u0131n \u00f6fkesine benzetilebilinir. Zarif, g\u00fczel ve ile\u015ftirici \u00f6zelli\u011fi ise toplumsal birliktenli\u011fi, arkada\u015fl\u0131\u011f\u0131, bar\u0131\u015f\u0131, iyiyi, sava\u015f\u00e7\u0131l\u0131\u011f\u0131 ve g\u00fczelli\u011fi ifade etti\u011fi i\u00e7in bu \u00e7i\u00e7e\u011fin \u00f6zelli\u011fiyle sembolize edilebilinir. G\u00fcne\u015f soylu Aietes ile Eidyia’n\u0131n k\u0131z\u0131d\u0131r. Medyal\u0131 Medeia, zek\u00e2s\u0131yla yetene\u011fiyle, ac\u0131k renkli parlak g\u00f6zleriyle ve heybetli g\u00fczelli\u011fiyle yunanlar\u0131n en eski en uzun a\u015fk ve kahramanl\u0131k destan\u0131na konu olmu\u015f g\u00fc\u00e7l\u00fc bir kad\u0131nd\u0131r. Medeia antik d\u00fcnyan\u0131n en uzun a\u015fk ve kahramanl\u0131k destan\u0131n\u0131n ana karakteri asl\u0131nda medya \u00fclkesinin anaerkil k\u00fclt\u00fcr\u00fcn\u00fcn en b\u00fcy\u00fck sava\u015f\u00e7\u0131s\u0131d\u0131r. Bu a\u015fk\u0131 yaz\u0131lan ve bilinenin d\u0131\u015f\u0131nda ele almak gerekiyor tabi. Nas\u0131l ki kad\u0131n denilince k\u00fclt\u00fcr akla geliyorsa ve kad\u0131n k\u00fclt\u00fcr\u00fcn savunucusu, geli\u015ftirici, yarat\u0131c\u0131s\u0131 ise bu olay\u0131 da \u00f6yle bakmak gerekiyor. K\u00fclt\u00fcr\u00fcyle ya\u015fama, ya\u015fatma olmad\u0131\u011f\u0131nda buna ya\u015fam denilmez \u00e7\u00fcnk\u00fc. Kad\u0131n ve toplum \u00f6zg\u00fcrl\u00fc\u011f\u00fc en iyi \u015fekliyle \u00f6r\u00fclm\u00fc\u015f o d\u00f6nemin k\u00fclt\u00fcr\u00fc muazzam bir zenginli\u011fi bar\u0131nd\u0131r\u0131yor.<\/p>\n\n\n\n

       Yunan tanr\u0131lar\u0131 ve t\u00fcm kahramanlar\u0131 bu d\u00fcnya harikas\u0131 \u00fclkeyi istila etmek ve erkek egemenlik\u00e7i sistemi burada yaymak i\u00e7in Karadeniz den gemilerle gelirler. O d\u00f6nemin anlaml\u0131 ya\u015fam\u0131n zenginli\u011fin sembol\u00fc olan kutsal me\u015fe a\u011fac\u0131na as\u0131l\u0131 olan alt\u0131n postu almak i\u00e7in her y\u00f6ntemi denerler ama alamad\u0131klar\u0131nda hile ve \u015fiddete ba\u015fvurarak medya \u00fclkesini talan edip, medya prensesi olan Medeia y\u0131 ka\u00e7\u0131r\u0131rlar. Medeia n\u0131n karde\u015fi olan prensi de arkadan b\u0131\u00e7aklayarak \u00f6ld\u00fcr\u00fcrler. Medeia Yunan kral\u0131 Yason la evlendirilir. Bu evlilikle 7 \u00e7ocuk d\u00fcnyaya geldi\u011fi s\u00f6ylenir. Medeia gitti\u011fi yerde kad\u0131n k\u00fclt\u00fcr\u00fcn\u00fc yaymak ya\u015fatmak i\u00e7in inan\u0131lmaz bir direni\u015f sergiler. D\u00fcnyada anlaml\u0131 ya\u015fam\u0131n g\u00fcc\u00fcn\u00fcn simgesi olan Alt\u0131n Post onun kendi kararlar\u0131yla yer de\u011fi\u015ftirmi\u015f, gitti\u011fi yerde pek \u00e7ok Yunan \u015fehrinde erkeklerin y\u00f6netimini (ataerkini) k\u0131rmaya ba\u015flayan g\u00fc\u00e7l\u00fc kad\u0131n karakterini sergiler. Bundan dolay\u0131 Yunan yazarlarca d\u00fcnyaya “erkek \u00f6ld\u00fcren”,  “cad\u0131” ve \u201cb\u00fcy\u00fcc\u00fc\u201d gibi yaftalarlar. Oysa y\u0131llarca zindana at\u0131l\u0131r t\u00fcrl\u00fc t\u00fcrl\u00fc i\u015fkencelerden ge\u00e7irilerek asimile edilmeye \u00e7al\u0131\u015f\u0131l\u0131r, kendi k\u00fclt\u00fcrlerini dayatmaya \u00e7al\u0131\u015f\u0131rlar. Kendi \u00e7ocuklar\u0131ndan bile vazge\u00e7er ama kendi k\u00fclt\u00fcr\u00fcnden asla taviz vermez. Erkek egemenlik\u00e7i zihniyetliler \u00e7ocuklar\u0131n\u0131 tek tek \u00f6ld\u00fcrerek vazge\u00e7irilmeye \u00e7al\u0131\u015f\u0131l\u0131r ancak yine de vazge\u00e7mez. Bu duru\u015fundan yunan yetkilileri Hatta Yunanlar\u0131n “Medeia” trajedisinin yazar\u0131 Euripides’e 15 g\u00fcm\u00fc\u015f para r\u00fc\u015fvet vererek \u00e7ocuklar\u0131n\u0131 Yunanlar\u0131n de\u011fil de Medeia \u2018n\u0131n kendisinin \u00f6ld\u00fcrd\u00fc\u011f\u00fcn\u00fc yazmas\u0131n\u0131 sa\u011flamalar\u0131 antik d\u00fcnyan\u0131n bilinen ger\u00e7eklerindendir. Bu eser di\u011fer Antik \u00c7a\u011f yazarlar\u0131n\u0131 da etkilemi\u015f, Euripides’in izinden giden di\u011fer yazarlar\u0131n yap\u0131tlar\u0131yla medyal\u0131 Medeia, Yunan mitolojisinin en k\u00f6t\u00fc karakterlerinden biri haline getirilmi\u015ftir. Sadece Tarihin babas\u0131 kabul edilen Herodotos, g\u00fcne\u015f soylu medyal\u0131 Medeia \u2018n\u0131n medyadan ka\u00e7\u0131r\u0131lmas\u0131n\u0131n ard\u0131ndan, Helen’in Yunanistan’dan ka\u00e7\u0131r\u0131lmas\u0131yla ba\u015flayan Truva Sava\u015f\u0131’n\u0131 birbiriyle ba\u011flant\u0131l\u0131 olaylar olarak g\u00f6sterir. \u00d6nderlik, cezaevlerine g\u00f6nderdi\u011fi mektuplarda Medeia n\u0131n ka\u00e7\u0131r\u0131ld\u0131\u011f\u0131, k\u00fclt\u00fcr\u00fcyle ya\u015famak i\u00e7in b\u00fcy\u00fck bir direni\u015f sergiledi\u011fi, \u00e7ocuklar\u0131n\u0131n ba\u015fka bir k\u00fclt\u00fcrle b\u00fcy\u00fctmek istemedi\u011fi, zindanlarda uzun s\u00fcre b\u0131rak\u0131ld\u0131\u011f\u0131 i\u015fkencelere maruz kald\u0131\u011f\u0131 ve \u00e7ocuklar\u0131n \u00f6l\u00fcmlerini bile k\u00fclt\u00fcr u\u011fruna g\u00f6ze ald\u0131\u011f\u0131 i\u00e7in Medeia \u015fahs\u0131nda kad\u0131nlar\u0131n nas\u0131l da k\u00fclt\u00fcr koruyucusu, ya\u015fay\u0131c\u0131s\u0131 ve geli\u015ftiricisi oldu\u011funu dile getirmi\u015ftir.<\/p>\n\n\n\n

      Yunan Medeia tragedyas\u0131 asl\u0131nda Medyal\u0131 kad\u0131nlar\u0131n anaerkil k\u00fclt\u00fcr\u00fcn\u00fc karalamak i\u00e7in bir erkek i\u00e7in t\u00fcm de\u011ferlere s\u0131rt\u0131n\u0131 d\u00f6nen, karde\u015fini ve \u00e7ocuklar\u0131n\u0131 dahi \u00f6ld\u00fcren bir kad\u0131n profilini \u00e7izerler. Ger\u00e7ekte ise kadim k\u00fclt\u00fcr\u00fcn\u00fc ya\u015fatmak i\u00e7in muazzam bir sava\u015f\u0131m i\u00e7ine girer ve sevdikleri i\u00e7in pek \u00e7ok \u015feye katlanan, onuru i\u00e7in her \u015feyi g\u00f6ze alabilen kad\u0131n rol\u00fcndeki Medeia b\u00f6ylece \u00e7ocuklar\u0131n\u0131n katili, b\u00fcy\u00fcc\u00fc bir cad\u0131 karakterine b\u00fcr\u00fcnd\u00fcr\u00fclm\u00fc\u015ft\u00fcr. Kad\u0131n \u015fahs\u0131nda a\u015fk ad\u0131 alt\u0131nda ki\u015filiksizle\u015ftirme, k\u00fclt\u00fcr\u00fcne, varl\u0131\u011f\u0131na s\u0131rt \u00e7evirme \u00e7irkinli\u011fi nas\u0131lda balland\u0131ra balland\u0131ra anlat\u0131ld\u0131\u011f\u0131 ve \u00e7arp\u0131kla\u015ft\u0131r\u0131ld\u0131\u011f\u0131 bu destanda apa\u00e7\u0131k ortaya \u00e7\u0131k\u0131yor. Asimilasyonun temel de\u011fi\u015ftirici g\u00fcc\u00fc olarak a\u015fk\u0131 nas\u0131l da \u00e7irkince, ahlaks\u0131zca ve yalanlarla kullan\u0131ld\u0131\u011f\u0131 g\u00f6zler \u00f6n\u00fcne seriliyor.     <\/p>\n\n\n\n

\u00a0\u00a0 \u00a0\u00a0Daha sonra bir yabanc\u0131n\u0131n Yunanistan’da bu kadar ileri gitmesi karga\u015fa yarat\u0131nca yine \u00fclkesinin alt\u0131n postu kaybetmesinin ard\u0131nda yarat\u0131lan kar\u0131\u015f\u0131kl\u0131\u011f\u0131 d\u00fczeltmek i\u00e7in tek kalan o\u011flu Medus \u2018la birlikte vatan\u0131 medya ya geri d\u00f6nm\u00fc\u015f fakat Alt\u0131n Post’u kaybeden ve i\u00e7 kar\u0131\u015f\u0131kl\u0131klarla \u00e7alkalanan \u00fclkesini ve halk\u0131n\u0131 peri\u015fan halde bulmu\u015ftur. Burada babas\u0131n\u0131n tahttan indirilmi\u015f, Lyke ve Thoe gibi Amazonlar\u0131n \u00f6ld\u00fcr\u00fclm\u00fc\u015f ve \u00fclkeyi salg\u0131n hastal\u0131klar\u0131n kaplam\u0131\u015f oldu\u011funu g\u00f6zleriyle g\u00f6r\u00fcr. Medya da d\u00fczeni tekrar sa\u011flay\u0131p, babas\u0131n\u0131 taht\u0131ndan indiren amcas\u0131n\u0131 tanr\u0131lara kurban ettikten sonra, t\u00fcm bunlara sebep olan Yunanlardan intikam\u0131n\u0131 almak \u00fczere yemin eden Medeia, o\u011flu Medus’un da i\u00e7inde bulundu\u011fu bir grupla medyan\u0131n g\u00fcneyine inerek burada atalar\u0131 G\u00fcne\u015f’in k\u00fclt\u00fcn\u00fc yaym\u0131\u015f ve kendi adlar\u0131n\u0131 verdikleri Med a\u015firet konfederasyonu temelini at\u0131ld\u0131\u011f\u0131 s\u00f6ylenilir. \u00a0Medeia daha sonra \u00f6l\u00fcms\u00fcz olarak g\u00f6\u011fe y\u00fckselmi\u015f, o\u011flu Medus ise topraklar\u0131n\u0131 geni\u015fleterek g\u00fcne\u015f k\u00fclt\u00fcn\u00fc yayd\u0131\u011f\u0131 s\u00f6ylenilir.<\/p>\n\n\n\n

Lotus J\u0130YANDA<\/strong><\/p>\n\n\n\n

K\u00fcrdistan Stratejik Ara\u015ft\u0131rmalar Merkezi<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Kadim K\u00fclt\u00fcr\u00fcn Ya\u015fat\u0131c\u0131s\u0131 ve Savunma Sava\u015f\u00e7\u0131s\u0131\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0          Medya topraklar\u0131 tarihin en eski k\u00fclt\u00fcr miras\u0131na sahiptir. En uzun ve ger\u00e7e\u011fe en yak\u0131n inan\u00e7 sistemleri, ya\u015fay\u0131\u015f bi\u00e7imlerini nitelikli bir hazineye d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr. Evrende ya\u015fad\u0131\u011f\u0131m\u0131z g\u00fcne\u015f sistemini belirleyen temel elementleri kutsal saym\u0131\u015f ve ya\u015famlar\u0131n\u0131 bu elementlerin niteli\u011fi, yarat\u0131c\u0131 \u00f6zeli\u011fiyle ve birbirleriyle olan ba\u011f\u0131n\u0131 \u00e7\u00f6z\u00fcp anlamland\u0131r\u0131p ona benzeterek ya\u015famlar\u0131n\u0131 kurgulam\u0131\u015flard\u0131r. […]<\/p>\n","protected":false},"author":1,"featured_media":12819,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","video":"","gallery":"","source_name":"","source_url":"","via_name":"","via_url":"","override":[{"single_blog_custom":"","sidebar":"","second_sidebar":"","share_position":"","share_float_style":"","post_date_format":"","post_date_format_custom":"","post_reading_time_wpm":"","zoom_button_out_step":"1","zoom_button_in_step":"1","number_popup_post":"1"}],"image_override":[{"single_post_thumbnail_size":"","single_post_gallery_size":""}],"trending_post_position":"","trending_post_label":"","sponsored_post_label":"","sponsored_post_name":"","sponsored_post_url":"","sponsored_post_logo":"","sponsored_post_desc":""},"jnews_primary_category":{"id":""},"jnews_social_meta":{"fb_title":"","fb_description":"","fb_image":"","twitter_title":"","twitter_description":"","twitter_image":""},"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":[],"footnotes":""},"categories":[7,11],"tags":[3117,3116,3111,3113,3112,3115,3114],"class_list":["post-12818","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-makaleler","category-kadin","tag-gunes-ulkesi","tag-heredots","tag-medya-ulkesi","tag-mithra","tag-prenses-medeia","tag-yunan-tanrilari","tag-zerdust-2"],"acf":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.lekolin.org\/ku\/wp-json\/wp\/v2\/posts\/12818","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lekolin.org\/ku\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lekolin.org\/ku\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lekolin.org\/ku\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lekolin.org\/ku\/wp-json\/wp\/v2\/comments?post=12818"}],"version-history":[{"count":1,"href":"https:\/\/www.lekolin.org\/ku\/wp-json\/wp\/v2\/posts\/12818\/revisions"}],"predecessor-version":[{"id":12820,"href":"https:\/\/www.lekolin.org\/ku\/wp-json\/wp\/v2\/posts\/12818\/revisions\/12820"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lekolin.org\/ku\/wp-json\/wp\/v2\/media\/12819"}],"wp:attachment":[{"href":"https:\/\/www.lekolin.org\/ku\/wp-json\/wp\/v2\/media?parent=12818"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lekolin.org\/ku\/wp-json\/wp\/v2\/categories?post=12818"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lekolin.org\/ku\/wp-json\/wp\/v2\/tags?post=12818"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}