\t\t\t\t\t\t\t ![](\"http:\/\/www.lekolin.org\/wp-content\/uploads\/2020\/03\/5617-1.jpg\")
\n\t\t\t\t\t\t<\/div>\n
T\u00fcrkiye ve T\u00fcrk ger\u00e7ekli\u011fi, Siyaset dili demagoji, \u00fcslubu ise hamasettir. Ya\u015fad\u0131\u011f\u0131 Can Toprak<\/strong><\/p>\n K\u00fcrdistan Stratejik Ara\u015ft\u0131rmalar Merkezi<\/strong><\/p>\n www.lekolin.com – www.lekolin.org – www.lekolin.net \u2013 \u00a0<\/strong><\/p>\n 0<\/p>\n 21<\/p>\n TR \t :” ” <\/p>\n \t :”” <\/p>\n \t ” “,” ” <\/p>\n \t<\/p>\n
\ntarih-g\u00fcncel denklemiyle en iyi bu eserlerde \u00e7\u00f6z\u00fcmlenir. Bu eserlerin t\u00fcm\u00fcnde
\ngeli\u015fmeler, olaylar, ki\u015filer mek\u00e2nlar, ili\u015fki ve \u00e7eli\u015fkiler ac\u0131mas\u0131z bir
\nsorgulamaya tabi tutulur. Hayat bulan her \u015fey \u00f6zg\u00fcr ve bilimsel akl\u0131n ele\u015ftiri
\ns\u00fczgecinden ge\u00e7irilir. Olaylar, geli\u015fmeler, karakterler a\u00e7\u0131k, net ve anla\u015f\u0131l\u0131r
\ntarzda orta yere serilir. Okuyan\u0131n yan\u0131nda, \u00e7evresinde, uzan\u0131nca dokunaca\u011f\u0131
\nmesafede hissedece\u011fi kadar ger\u00e7ek\u00e7i tarzda anlat\u0131l\u0131r. Kitap sayfalar\u0131 bir anda
\nhayat\u0131n kendisine d\u00f6n\u00fc\u015f\u00fcr. Okuyucuyu al\u0131p Yozgat, Ni\u011fde, Kastamonu vb. Anadolu
\nkentlerinin caddesi, soka\u011f\u0131, kahvehanesi y\u00e2da k\u00f6y evine g\u00f6t\u00fcr\u00fcr. T\u00fcrkiye\u2019nin
\nk\u00f6yl\u00fcs\u00fc, i\u015f\u00e7isi, esnaf\u0131 ve burjuvas\u0131 ile tan\u0131\u015ft\u0131r\u0131r. K\u00f6y halk\u0131n\u0131n kaderine raz\u0131
\ngibi g\u00f6r\u00fcnen ama altan-alta her \u015feye \u015firk ko\u015fan zihin d\u00fcnyas\u0131n\u0131n kodlar\u0131n\u0131
\ng\u00f6rmelerine vesile olur. Orada do\u011fall\u0131k alt\u0131na gizlenmi\u015f kaba-sabal\u0131klar\u0131,
\nbir-birini i\u011fneleme, mimik, davran\u0131\u015f ve imalarla bir-birini k\u00fc\u00e7\u00fcmsemeleri,
\ng\u00f6sterilen abart\u0131l\u0131 sahte sevginin, sayg\u0131n\u0131n alt\u0131nda gizlenmi\u015f kurnazl\u0131klar\u0131,
\nd\u00fcmenleri, f\u0131rsat bulunca y\u0131k\u0131c\u0131 bir g\u00fcce d\u00f6n\u00fc\u015fen kin ve nefreti\u00a0 <\/span>g\u00f6zler \u00f6n\u00fcne serer. \u015eehir esnaf\u0131n\u0131n ki\u015fisel
\nkazan\u00e7 ve istikbal u\u011fruna \u00e7evirdi\u011fi dalavereleri, yapt\u0131\u011f\u0131 hilleri, bunlar\u0131
\nyaparken ikiy\u00fczl\u00fcl\u00fck ve riyakarl\u0131kta g\u00f6sterdi\u011fi ustal\u0131\u011f\u0131 okuyan\u0131 kah-kahaya
\nbo\u011facak tarzda i\u015fler. Bu toplumsal piramidin, denklemin en karma\u015f\u0131k,
\ntan\u0131mlanmas\u0131, anla\u015f\u0131lmas\u0131, sevilmesi ve tahamm\u00fcl edilmesi zor karakterlerini
\nise her zaman politikac\u0131lar bi\u00e7iminde resmeder. \u2018K\u00f6r d\u00f6\u011f\u00fc\u015f\u2019 \u00f6yk\u00fcs\u00fcnde halktan
\ninsanlar olarak potreleri \u00e7izilen topal Kaz\u0131m, terzi \u0130shak ile Z\u00fcb\u00fck
\nkitab\u0131ndaki karakter ile bu durumu zirvele\u015ftirir. B\u00f6ylece potresi \u00e7izilenler
\nbir kitab\u0131n kahraman-yada anti kahraman\u0131 olmaktan \u00e7\u0131karlar. Birer \u00fc\u00e7ka\u011f\u0131t\u00e7\u0131,
\ndoland\u0131r\u0131c\u0131, dalavereci, yalanc\u0131 ve ahlaktan yoksunluk potresi, birer k\u00f6t\u00fcl\u00fck,
\n\u00e7irkinlik, ba\u011fnazl\u0131k kayna\u011f\u0131, insano\u011fluna yak\u0131\u015ft\u0131r\u0131labilecek t\u00fcm k\u00f6t\u00fcl\u00fcklerin
\nan\u0131t\u0131 olarak okuyucunun kar\u015f\u0131s\u0131na dikilirler. B\u00f6yle olunca bu eserleri okuyan\u0131n
\nzihnine kaz\u0131n\u0131rlar. H\u00fcz\u00fcnlendirip, g\u00fcld\u00fcren, \u00f6fkelendirip, sakinle\u015ftiren
\nkurgular\u0131 ile okuyanda bir daha unutmayaca\u011f\u0131 etkiler b\u0131rak\u0131rlar. Aziz Nesin\u2019in
\nbu tarzdaki onlarca eseri i\u00e7inde \u2018Z\u00fcb\u00fck\u2019 isimli kitab\u0131 m\u00fcstesna bir yer tutar.
\nBu eser siyasi polemiklerde k\u00f6t\u00fcl\u00fc\u011f\u00fcn, r\u00fc\u015fvet ve ilkesizli\u011fin
\nisimlendirilmesine, y\u0131llarca etkisini yitirmeyen filmlere konu olmu\u015ftur. Kitap
\nsoyutlama tarz\u0131nda T\u00fcrkiye\u2019deki siyaset tarihini bir belgesel niteli\u011finde, bir
\nfoto\u011fraf netli\u011finde \u00f6zetlemektedir.\u00a0
\n<\/span>Okuyan\u0131 sorgulamaya g\u00f6t\u00fcren, her g\u00fcn tv, gazete y\u00e2da sokakta g\u00f6rd\u00fc\u011f\u00fc
\npolitikac\u0131larla k\u0131yaslamalara sevk eden, h\u00fcz\u00fcnlendiren, kahkahaya bo\u011fan, yok
\ncan\u0131m bu kadarda olmaz dedirten tarzdaki T\u00fcrk politikac\u0131 tipolojisini
\n\u00e7\u00f6z\u00fcmlemektedir. Kitab\u0131n ismi Z\u00fcb\u00fck, kahraman\u0131 ise \u0130brahim Z\u00fcb\u00fckzadedir. Kitap
\nZ\u00fcb\u00fck \u015fahs\u0131nda T\u00fcrkiye\u2019de bir siyaset\u00e7inin politik hayata at\u0131l\u0131\u015f\u0131, y\u00fckseli\u015fi,
\nbu s\u00fcre\u00e7te \u00e7evirdi\u011fi dalavereleri, s\u00f6yledi\u011fi yalanlar\u0131, ald\u0131\u011f\u0131 r\u00fc\u015fvetleri, i\u00e7
\nd\u00fcnyas\u0131nda ya\u015fad\u0131klar\u0131 ile d\u0131\u015fa yans\u0131tt\u0131klar\u0131 aras\u0131ndaki u\u00e7urumlar\u0131, i\u00e7
\nd\u00fcnyas\u0131ndaki habislikleri, ahlak yoksunlu\u011funu, bunun ba\u011fnazl\u0131k olarak d\u0131\u015fa
\nyans\u0131malar\u0131n\u0131, doymak bilmeyen a\u00e7 g\u00f6zl\u00fcl\u00fc\u011f\u00fcn\u00fc, g\u00fcld\u00fcren, e\u011flendiren,
\n\u00f6fkelendiren bir tarzda \u00e7\u00f6z\u00fcmlemeye tabi tutmaktad\u0131r. Z\u00fcb\u00fck bir kasaba
\npolitikac\u0131s\u0131d\u0131r. Hayat\u0131n\u0131, y\u00fckseli\u015fini g\u00fcc\u00fcne-bilincine dayanarak yaratmaya
\nde\u011fil, ba\u015fkas\u0131ndan \u00e7almaya bor\u00e7ludur. Ba\u015far\u0131lar\u0131 becerilerinin eseri de\u011fil,
\n\u00e7evresindekilere kurdu\u011fu tuzak, kumpas ve onlar\u0131 u\u011fratt\u0131\u011f\u0131 ba\u015far\u0131s\u0131zl\u0131klar
\n\u00fczerinde y\u00fckselir. Mutlulu\u011funu ba\u015fkalar\u0131n mutsuzlu\u011funda-felaketinde arar, elde
\netmeye \u00e7al\u0131\u015f\u0131r. Siyaset merdivenlerinde y\u00fckseldik\u00e7e, yukar\u0131lara \u00e7\u0131kt\u0131k\u00e7a,
\ninsani de\u011ferler a\u00e7\u0131s\u0131nda a\u015fa\u011f\u0131 d\u00fc\u015fen, dibe vuran bir geli\u015fim diyalekti\u011fine
\nsahiptir. Ortalaman\u0131n alt\u0131ndaki akl\u0131na ve hi\u00e7 olmayan ahlak\u0131na ra\u011fmen siyaseten
\ny\u00fckseldik\u00e7e kendisinin \u00f6zel bir insan oldu\u011funa ikna eder. Kendisinin \u0130nsanl\u0131\u011f\u0131,
\nmemleketi kurtarma misyonu oldu\u011funa inanmaya ba\u015flar. Bu nedenle her \u015feyi bilen
\nhavas\u0131yla hareket eder. \u00c7evresindekileri k\u00fc\u00e7\u00fcmsemeye ba\u015flar. Hakir g\u00f6r\u00fcr,
\nhakaret eder. \u00c7evresine talimat ya\u011fd\u0131r\u0131r. Her kese-her \u015feye y\u00f6n vermeye,
\nh\u00fckmetmeye \u00e7al\u0131\u015f\u0131r. Y\u00fcr\u00fcyen, d\u00fc\u015f\u00fcnen ve konu\u015fan bir ego halini al\u0131r.\u00a0 <\/span>Kendini bilim, sanat, edebiyat, iktisat,
\nsiyaset, hatta spor alan\u0131ndaki en y\u00fcksek otorite oldu\u011funu ilan eder. G\u00fcndeme
\ngelen, tart\u0131\u015f\u0131lan her geli\u015fme hakk\u0131nda, ge\u00e7mi\u015fte bunlar\u0131 ya\u015fam\u0131\u015f, \u00e7\u00f6zm\u00fc\u015f
\nedas\u0131yla konu\u015fur, d\u00fc\u015f\u00fcnce beyan eder, son noktay\u0131 koyar. \u00c7evresindekilerin buna
\ninanmas\u0131n\u0131, iman etmesini ister. Bu nedenle ne hayata, hakikate, nede ba\u015fkas\u0131n
\nda \u00f6\u011frenece\u011fi bir \u015fey olmad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcr. Hi\u00e7bir zaman \u00f6\u011frenmez, \u00f6\u011frenme u\u011fra\u015f\u0131
\ni\u00e7inde olmaz. Bir k\u00f6y imam\u0131, ta\u015fra vaizi misali hep konu\u015fan, anlatan konumunda
\nolur. Durmadan dinlemeden konu\u015fur-anlat\u0131r. Her konuda-geli\u015fmeden ilkokuldan
\nberi \u00f6\u011frendiklerini tekrar-tekrar \u00e7evresindekilerin kafas\u0131na \u00e7\u00f6p misali
\nbo\u015falt\u0131r. Ya\u015fam dili buyurgan, ayr\u0131\u015ft\u0131r\u0131c\u0131 ve kategorize edicidir.
\nDurmadan-dinlenmeden bir ya\u015fl\u0131 avc\u0131n\u0131n \u00e7evresine toplananlara an\u0131lar\u0131n\u0131
\nanlatmas\u0131 misali ya\u015fad\u0131klar\u0131n\u0131 tekrar-tekrar anlat\u0131r. <\/p>\n
\ncehalet d\u00fczeyini, \u00e7\u00fcr\u00fcm\u00fc\u015fl\u00fc\u011f\u00fc, y\u00e2da \u00e7evirdi\u011fi dalaverelerin g\u00f6r\u00fcn\u00fcr olma riski
\nbelirdi\u011fi anda usta manevralar ve demagojik s\u00f6ylemlere s\u0131\u011f\u0131n\u0131r. Kurnaz, sinsi,
\nhilek\u00e2r, dalavereci ve ba\u011fnaz karakteri ile \u2018Vatan\u0131 b\u00f6ld\u00fcrtmem, Milletime
\ns\u00f6vd\u00fcrtmem\u2019 kli\u015felerinin olu\u015fturdu\u011fu limana s\u0131\u011f\u0131n\u0131r. Politik arenada her d\u00f6nem
\ntemel ilkesi, ilkesizli\u011fi ya\u015fam bi\u00e7imine d\u00f6n\u00fc\u015ft\u00fcrerek amaca ula\u015fmakt\u0131r. Bu
\nu\u011furda elbise de\u011fi\u015ftirir gibi, kimlik, ki\u015filik ve parti de\u011fi\u015ftirir. Ne s\u00f6ylese,
\nne savunsa hep tersini yapar-ya\u015far. Bu yolda Z\u00fcb\u00fck i\u00e7in din-iman, \u00fclke, Halk,
\nbayrak, ezan vb.\u00a0 <\/span>sadece kullan\u0131lacak
\nbirer arg\u00fcman\u0131d\u0131r. Siyaseten ihtiya\u00e7 duydu\u011funda en samimi dindard\u0131r. T\u00fcm
\nmuhafazak\u00e2r arg\u00fcmanlar\u0131 kullan\u0131r. G\u00f6stermelik cumalara gider. Reklam i\u00e7in namaz
\nk\u0131lar. Oru\u00e7 tutarm\u0131\u015f gibi davran\u0131r. Hay\u0131rsever-yard\u0131msever pozlar\u0131 tak\u0131n\u0131r.
\nMuteber bir baba, sadakatli bir e\u015f, payla\u015fan bir kom\u015fu maskesi ile dola\u015f\u0131r.
\nKarakterinin gere\u011fi olarak yalan, r\u00fc\u015fvet, dalavereleri a\u00e7\u0131\u011fa \u00e7\u0131k\u0131p kendisini
\nba\u015fkas\u0131n\u0131n y\u00fcz\u00fcne bakamayacak duruma d\u00fc\u015f\u00fcrd\u00fc\u011f\u00fcnde din, iman, vatan nutuklar\u0131 ve
\n\u2018M\u00fcsl\u00fcman mahahalsinde salyangoz satt\u0131rmam\u2019 kli\u015felerine s\u0131\u011f\u0131n\u0131r. Kendisinin
\nmerkezinde yer ald\u0131\u011f\u0131 t\u00fcm k\u00f6t\u00fcl\u00fckler i\u00e7in mutlaka bir gerek\u00e7e bulur. Yapt\u0131\u011f\u0131
\nk\u00f6t\u00fcl\u00fcklerin g\u00f6r\u00fcn\u00fcr hale gelmesi, a\u00e7\u0131\u011fa \u00e7\u0131kmas\u0131n\u0131 ise hep d\u0131\u015f g\u00fc\u00e7lerin, onlar\u0131n
\ni\u00e7teki i\u015fbirlik\u00e7isi Kom\u00fcnistlerin, b\u00f6l\u00fcc\u00fclerin \u00dclkeyi b\u00f6lmek, Milleti
\npar\u00e7alamak isteyen bir komplosu, kumpas\u0131 ve iftiras\u0131 olarak sunar. \u00c7evresini
\nbuna ikna etmeye \u00e7al\u0131\u015f\u0131r. \u00d6zet olarak Z\u00fcb\u00fck kitab\u0131 ve kitab\u0131n ba\u015fkahraman\u0131
\n\u0130brahim Z\u00fcb\u00fckzadenin temek karakteri b\u00f6yledir. Kitap Kurgu itibariyle
\n1960-1970\u2019lerin T\u00fcrkiye\u2019sini yans\u0131tmaktad\u0131r. Muhtemelen 1980 \u00f6ncesi kaleme
\nal\u0131nm\u0131\u015ft\u0131r.<\/p>\n
\nwww.lekolin.info -www.navendalekolin.com -http:\/\/kursam.org\/index.html-
\nhttp:\/\/kursam.net\/index.html<\/strong><\/p>\n
\n KO<\/p>\n