{"id":9289,"date":"2020-03-15T02:39:23","date_gmt":"2020-03-14T23:39:23","guid":{"rendered":"http:\/\/www.lekolin.org\/gunes-damla-damla-akti-yasama\/"},"modified":"2020-03-15T02:39:23","modified_gmt":"2020-03-14T23:39:23","slug":"gunes-damla-damla-akti-yasama","status":"publish","type":"post","link":"https:\/\/www.lekolin.org\/ku\/gunes-damla-damla-akti-yasama\/","title":{"rendered":"G\u00fcne\u015f, Damla Damla Akt\u0131 Ya\u015fama"},"content":{"rendered":"

13 Kas\u0131m 2014 Per\u015fembe Saat 13:05<\/p>\n<\/p>\n

\n
\n <\/b><\/p>\n

\t\t\t\t\t\t\t \n\t\t\t\t\t\t<\/div>\n

Tarihten g\u00fcn\u00fcm\u00fcze sanat g\u00f6r\u00fcn\u00fcr k\u0131lmak i\u00e7in ortak akl\u0131n ve
\nvijdan\u0131n be\u011fenisini toplamak ister, ifadede maddele\u015fmek, rengte devrimsel bir
\ngvernikaya, da\u011f ba\u015f\u0131nda\u00a0 <\/span>ve patikada ise
\ntoplumu \u015faha kald\u0131ran \u015fehit Mizginlerden,\u00a0
\n<\/span>y\u00fcrekten gelen bir melodiyle gen\u00e7 bak\u0131\u015flar\u0131 direni\u015fe devet eder.<\/p>\n

Sanat ilk \u015fahlan\u0131\u015f\u0131n ve direni\u015fin ad\u0131d\u0131r. \u0130lk do\u011fum
\nsanc\u0131lar\u0131 ya\u015fayan insanl\u0131k, ma\u011faralar\u0131n duvarlar\u0131nda ortak inan\u00e7sal d\u0131\u015fa
\nvurumlar\u0131n kank\u0131rm\u0131z\u0131 rengiyle inanc\u0131n resmine d\u00f6n\u00fc\u015f\u00fcr. K\u0131rm\u0131z\u0131-kad\u0131n ve
\ntoplumu uyaran ve ya\u015fama davet eden olur. \u0130lk kad\u0131n ve erke\u011fin elleri renge
\ndokunur, kavrar ve inan\u00e7 mabetlerinde ya\u015fam\u0131 kavrayan anakad\u0131n\u0131n \u00f6\u011fretilerine
\nd\u00f6n\u00fc\u015f\u00fcr. \u0130lk duygular metafizikle\u015fir, vijdana d\u00f6n\u00fc\u015f\u00fcr. Toplum g\u00f6lgelerde
\nrenglerle anlat\u0131ma koyulur.\u00a0 <\/span>Karanl\u0131\u011fa
\ninat toplumun sanatsal elleriyle ya\u015fama \u0131s\u0131k olur. Ayd\u0131nl\u0131\u011f\u0131n nuveleri sanat
\nyoluyla toplumsall\u0131\u011f\u0131n\u00a0 <\/span>akl\u0131na ve
\ny\u00fcre\u011fine filizlenir. Bir sarma\u015f\u0131k misali g\u00f6\u011fe y\u00fckselir, toplumsal
\nkabulleni\u015flerin formlar\u0131n\u0131 insanl\u0131\u011fa nak\u015fetmeye durur.<\/p>\n

En do\u011fal\u0131n ya\u015fand\u0131\u011f\u0131 zamanlarda ilk ses klan olman\u0131n en
\nsoylu duygusuyla notalara, renglere s\u0131\u011fd\u0131r\u0131l\u0131r. Anakad\u0131n topra\u011fa dokundu\u011fu anda
\ntoplum ye\u015fillenmeye ba\u015flar. Bir art bin y\u0131llar\u0131n sanatsal devrimlerine\u00a0 <\/span>akmaya ba\u015flar. Kad\u0131n topra\u011f\u0131 havaya serpti\u011fi
\nanda devrimin iksiri melodiler, renkler ve en \u00e7\u0131plak sesler klanda kahkahaya
\ndurur. Art\u0131k bayram co\u015fkusuyla anakad\u0131n \u00f6rnek al\u0131nm\u0131\u015ft\u0131r. T\u00fcm evrenin halkalar\u0131na
\nkendisini tabi k\u0131lm\u0131\u015ft\u0131r. Daha fazla kenetlenmi\u015ftir ya\u015fam\u0131n zincirine.
\nHalkalanm\u0131\u015ft\u0131r artarak klan. T\u00fcm pakl\u0131\u011f\u0131yla emzirilen toplum modelle\u015fmi\u015ftir,
\nkaz\u0131lmaya ba\u015flam\u0131\u015ft\u0131r akl\u0131n k\u0131l tabletlerine. \u0130klimler bedenle\u015fiyordur art\u0131k.<\/p>\n

Kad\u0131n\u0131n elinden g\u00f6k kusa\u011f\u0131 renkler ak\u0131yordur. Renkler
\nananehre co\u015fmaya\u00a0 <\/span>durmu\u015ftur. T\u00fcm toplum
\nanakad\u0131n\u0131n ya\u015fam cemberinde halaya durmu\u015ftur. Yukar\u0131 mezopatamya\u00a0 <\/span>seslerle \u00e7\u0131nl\u0131yordur. Ananehir damla damla
\nformla\u015fmaya tabi tutmu\u015ftur insan\u0131.<\/p>\n

Kan\u00e7ana\u011f\u0131 g\u00f6zlerini ya\u015fama dikmi\u015ftir sinsi art\u0131k\u00e7\u0131. Ve
\ndamlalar grile\u015fmeye, patikalar\u00a0 <\/span>akmamaya
\nba\u015flam\u0131\u015ft\u0131.\u00a0 <\/span>Ya\u015fam k\u00fctle k\u00fctle\u00a0 <\/span>buz tutmu\u015ftu sanki. Dallar k\u00f6klerine\u00a0 <\/span>yabanc\u0131 k\u0131l\u0131nm\u0131\u015f, ya\u015fam anakad\u0131n\u0131n etraf\u0131nda
\nso\u011fuk metalimsi duygusuyla\u00a0 <\/span>can yakmaya
\nduruyordu. Toplumun y\u00fcregindeki ve beynindeki yollar kesilmi\u015f,ya\u015fam\u0131n k\u0131rm\u0131z\u0131
\n\u00f6zsuyu, zifiri karanl\u0131kta kamc\u0131lan\u0131yordu. Toplum ve insanl\u0131k topra\u011f\u0131n g\u0131das\u0131ndan
\nkesilmi\u015f, \u0131lm\u0131k \u0131lm\u0131k betonlara vurularak kendisine yabanc\u0131la\u015ft\u0131r\u0131l\u0131yordu.
\nKad\u0131n\u0131n \u00f6gretilerine kank\u0131rm\u0131z\u0131 renkler bula\u015ft\u0131r\u0131lm\u0131\u015ft\u0131. S\u00fct kadar temiz
\nyarat\u0131mlar sand\u0131klara kapat\u0131lm\u0131\u015ft\u0131r. Yapraklar d\u00f6k\u00fclmeye, k\u00f6kler kurumaya
\nba\u015fl\u0131yordu.\u00a0 <\/span>G\u00f6z dikilmi\u015fti anakad\u0131n\u0131n
\nya\u015famsal co\u015fkusuna. Mabetlerdeki\u00a0 <\/span>inan\u00e7lar
\nhapsedilmi\u015ftir, klan\u0131n bedeni katran siyah\u0131na bulanm\u0131\u015ft\u0131r. Oklar ya\u015fam\u0131n
\nkalbine d\u00f6nm\u00fc\u015ft\u00fcr. Ya\u015fam kan kaybetmeye ba\u015flam\u0131\u015f, g\u00f6zlerin ak\u0131 g\u0131riye s\u00fcr\u00fckleniyordu.
\nHeleki gen\u00e7 y\u00fcrekler kand\u0131r\u0131l\u0131yor, saf tutmaya zorlan\u0131yorlard\u0131r. Kad\u0131n-ya\u015fam ve
\nsanat palanparca\u00a0 <\/span>edilip tezgahlar\u0131n en
\ng\u00f6zde nesnesine d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr\u2026<\/p>\n

Ne zamanki zaman k\u0131rkdokuzu, mekanlar amaray\u0131 g\u00f6stermeye
\nba\u015flam\u0131\u015ft\u0131, tarih kapat\u0131ld\u0131\u011f\u0131 yerden seslenmeye ba\u015flanmaya ba\u015flad\u0131. Beton
\ns\u0131zlamaya, \u00e7atlamaya ba\u015flam\u0131\u015ft\u0131r. Sesler y\u00fckselmeye ba\u015flam\u0131\u015ft\u0131r kutsal
\nkahverenginden. Ayd\u0131nl\u0131k Karanl\u0131\u011fa\u00a0
\n<\/span>sava\u015fa durmu\u015ftur.<\/p>\n

Ve an! Anda kad\u0131n! anda g\u00fcne\u015fin sesi\u00a0 <\/span>y\u00fckselmeye ba\u015flam\u0131\u015ft\u0131. Da\u011flarda melodiler, s\u0131ralanarak
\ntozlu mekaplara d\u00f6n\u00fc\u015ft\u00fcler. Her \u015fey\u00a0
\n<\/span>ayr\u0131l\u0131\u011fa ve ayr\u0131lmamacas\u0131na selama durmu\u015ftu sanki. Ya\u015famda kutsal amaran\u0131n
\nparmak u\u00e7lar\u0131nda mora s\u00fcr\u00fclm\u00fc\u015ft\u00fc. Zirveler art\u0131k gen\u00e7 kad\u0131n ve erkek sesleriyle
\nye\u015fillenmeye b\u00fcy\u00fcm\u00fc\u015ft\u00fc. Da\u011flar\u0131n r\u00fczgar\u0131, g\u00fcne\u015fin felsefesinden feyz al\u0131yordu
\nart\u0131k. R\u00fczgar havarile\u015fmi\u015fti \u00f6zg\u00fcr ya\u015fam paradigmas\u0131nda . Tanr\u0131\u00e7a istar ve Zerd\u00fcst
\ngen\u00e7 soluklara seslendi. Ve t\u00fcm g\u00f6zler o an g\u00fcne\u015fte y\u00fcreklenmi\u015fti.<\/p>\n

Kad\u0131n-toplum ve sanat damlamaya devam etti. Her yerde
\n\u00f6zg\u00fcrl\u00fck \u00e7i\u00e7eklenmeye ba\u015flad\u0131. G\u00fcne\u015f \u0131\u015f\u0131nlar\u0131yla semaha duruverd\u0131. Y\u00fcrekler
\ng\u00fcne\u015fle \u0131s\u0131nmaya\u00a0 <\/span>ba\u015flam\u0131\u015ft\u0131 \u00e7oktan. T\u00fcm
\ndamlalar nehirle\u015fmi\u015fti art\u0131k. Damla damla ye\u015fil k\u00f6k salm\u0131\u015ft\u0131 d\u00f6rde b\u00f6l\u00fcnm\u00fc\u015f
\ntopra\u011fa. Berrak\u00e7a, duruca, g\u00fcl\u00fcmsemeye ba\u015flam\u0131\u015ft\u0131 g\u00fcne\u015f ve kad\u0131n..<\/p>\n

\u00a0Mordem Engizek<\/p>\n

K\u00fcrdistan Stratejik Ara\u015ft\u0131rmalar Merkezi<\/p>\n

www.navendalekolin.com – www.lekolin.org – www.lekolin.net \u2013
\nwww.lekolin.info<\/p>\n

<\/p>\n<\/p>\n

\t<\/p>\n

\n
<\/div>\n

\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

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